Gifts for the Writer on Your List (hint hint)

Got a writer on your list this year?
Photo by Naito8

Ah, December.  That wonderful time of year when everyone panics, trying to find the perfect gift for everyone on their list.  Perhaps one of those people is a writer?  Check out some of these -- your favorite writer is sure to appreciate them!

• Writer's Market -- The most recent copy of the Writer's Market or a subscription to WritersMarket.com.  This book is practically the Bible for any writer trying to publish work in the print market, either fiction or nonfiction.  Having up-to-date information will save a writer time and money.
• AP/MLA online style subscription -- Many writers, especially those who work online, are required to use one of these style guides.  Having an online subscription will give them the information quickly and easily, with search functions and updated information throughout the year.
• Books -- Most writers are already readers.  You can pick up some great books about writing, like Bird by Bird by Anne Lamott or On Writing by Stephen King (two of my favorites, anyway), or you can get a gift certificate to a local bookstore.
• E-books -- If your writer has an e-book, a gift certificate to Amazon (for the Kindle) or Barnes & Noble (for the Nook) can keep your writer in words all year. 
• Digital voice recorder -- I like to keep a recorder next to my bed.  I often get ideas for articles, stories or even blog posts just as I'm drifting off.  I can grab my recorder and take note of whatever I'm thinking so I don't forget it later.  I also like to have it in the car, in case I notice a potential client.
• Netbook -- I love my netbook.  It's nice to be able to write wherever I please, and it's highly portable. If you are feeling particularly flush this year, get your writer a netbook!
• Conferences -- Tickets to writer's meetings and conferences can be a hot commodity and are often pricey.  Find out if any conferences are coming up that your writer wants to go to and pay their way.
• A subscription to a literary magazine -- Does your writer read any magazines regularly (or would she like to)?  Take care of this year's subscription.  

What gifts have you given writers?  If you are a writer, what is the best writing-related gift you have been given?  What else belongs on this list?

The First Line Blues

Despite our fears, the possibilities of a blank page are endless.

Photo by nuttakit.

The fear of the dreaded first line can paralyze me for hours.  It seems like every source on writing warns you that the first line of whatever you write is the most critical and will make or break whatever you have written, whether its your fiction magnum opus or a quick bit of advertising.  Screw up that first line, you are warned, and you've completely lost your reader and (it is implied) probably your career, your home and your first born.  With that kind of pressure, no wonder it can sometimes be tough to get going in the morning!

Plus, think of all those amazing opening lines you are probably competing with:

"There was a boy called Eustace Clarence Scrubb, and he almost deserved it."  Voyage of the Dawn Treader, C.S. Lewis

"It was a pleasure to burn."  Fahrenheit 451, Ray Bradbury

"In a hole in the ground there lived a hobbit."  The Hobbit, J.R.R. Tolkein

"The man in black fled across the desert and the gunslinger followed."  The Gunslinger, Stephen King

These are a few of my personal favorite opening lines from novels.  Despite the difference in genres, they all have something in common -- they really make you want to read the next line.  Who deserves to be called Eustace Clarence Scrubb?  What are we burning and why is it so enjoyable?  What in the world is a hobbit?  Why is the man in black fleeing -- and who is he?

So when I first face that blank Word document (or Blogger New Post screen), I sometimes falter.  What do I want you to do?  I want you to understand what I'm saying, stick around for the entire post, hopefully want to hear more from me.  If I'm writing for a client, I want the reader to be interested in the client, look around the website and, ultimately, buy something.

The English language can be an overwhelming tool to use.  But the next great opening line is just waiting to be written.

Finding Time for the Fun Stuff

Is it possible to find time for play without feeling guilty?

Image by Idea go

I've found that one of the biggest challenges of working at home has been finding time to do something fun without feeling a bit guilty about it.  The feeling is probably understandable.  I've spent most of my employment life working in a public place with supervisors peering over my shoulder, making sure I'm actually working and not goofing off on the company dime.  My ears are still attuned to the clacking of high heels as a supervisor attempts to sneak up behind me.

So when I'm at home, regardless of the time of day, I feel a little bit guilty if I'm sitting on the couch sharing a snuggle with my daughter, taking the time to mess around on facebook or playing the new video game I just picked up.  My computer is right there, calling me.  "Wooooooooork," it tells me.  "Time's wasting!  You could be doing something productive right now!"

Yes, I probably could be, but we all know what all work and no play does to writers, right?

I've dropped some of my computer games.  I feel slightly less guilty sitting on the couch with an Xbox controller than I do playing WoW on the PC.  That just smacks too much of "goofing off on the job."  It also helps that I can justify playing the Xbox as being "work."  (I know, my life is so difficult, right?)  After each days Skyrim session I'm writing up a journal that is going to be posted at Comics Bulletin as part of our new game coverage.

Reading is another place where I have trouble.  Like the games, I can sometimes justify it as part of my job, but what if I'm just rereading a favorite that I have no intention of reviewing?  Reading can be time consuming and it takes away from time I could be working.

I suppose, just like scheduling my work to be more productive, I could also schedule my "fun." But then it feels too much like work!  Establishing actual "office hours" might be an answer, that way if I'm playing Skyrim and it's three in the afternoon I know perfectly well I'm wasting company time.  Except that part of the reason I work at home is to keep my hours variable so I can deal with the numerous crises that might occur throughout the day.

What is your solution for balancing work and play?

On Being a "Good Reader"

Books.  The nectar of life.

Photo by:  Surachai

When thinking about the skills needed to be a writer, what normally comes to mind?  Chances are it's a few of the following:

-- A strong vocabulary
-- An intimate knowledge of commas
-- Knowing where the darn apostrophes go
-- Understanding the difference between "they're/their/there"
-- A wild imagination

I would argue that one of the best skills a writer could have is being a good reader.

What does this mean?  What makes a good reader?  Does it mean you could pass the "reading for context" test you were given in the second grade?  Does it mean you were consistently placed in a higher reading level than your actual grade?  Does it mean you slogged successfully through War and Peace before graduating high school (and actually understood at least half of it)?

Maybe.  Although I admit that I still have not read War and Peace and, frankly, have no desire to whatsoever.

Here's what I think it means to be a good reader:

-- You love books and would rather be reading than doing anything else.
-- At any given time you have a book somewhere about your person, "just in case."
-- You get so involved in a story that you stay up until at least 2 am, just to see what happens.
-- You love books the same way you love people.
-- You spend hours wandering in a bookstore.
-- You get involved in conversations and arguments about characters in stories, and feel personally invested in the outcome.

So what does this have to do with writing?

Family legend has it that I was taught to read at three years old by my grandmother.  By the first grade I was reading chapter books by Beverly Cleary.  I read "Animal Farm" in the fourth grade (and understood it).  At fifth grade I was tested and found to have a "fourteenth grade" reading level (i.e. college level).  I read anything you put in front of me (almost), both fiction and nonfiction.

From the very beginning, I was surrounding myself with language.  I learned quickly all the ways it can be manipulated, understood instinctively the difference between an adverb and an adjective, got a feel for the rhythm of punctuation.

When I'm writing, I'm just interested in getting the information out and on the page.  But when I edit, I become the reader.  I read the work out loud, to get the feel of it.  And I can "hear" whether it's working or not.  Sentences "sound" awkward.  Commas "feel" misplaced.

You can't teach this in school.  Studying nouns, verbs, transitional phrases, modifiers, participles...  it doesn't help you "feel" the language.  Even if you are writing about something as "dry" as heart attack symptoms.  Do it right, and your reader cares.  And as writers, we are all about the readers.  Right?  Want to be a better writer?  READ.